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To copy only individual lesson files, first create a new folder on your hard disk and name it Lessons. Then, open the Lessons folder on the CD and drag the lesson folder or folders that you want to copy from the CD into the Lessons folder on your hard disk.

Only the commands and options used in the lessons are explained in this book. For comprehensive information about program features and tutorials, please refer to these resources: Adobe Community Help: Community Help brings together active Adobe product users, Adobe product team members, authors, and experts to give you the most useful, relevant, and up-to-date information about Adobe products. Adobe content is updated based on community feedback and contributions. You can add comments to content or forums including links to web content, publish your own content using Community Publishing, or contribute Cookbook Recipes.

Adobe Forums: forums. The Audition forum is accessible from Audition s Help menu. Adobe TV: tv. Adobe Design Center: offers thoughtful articles on design and design issues, a gallery showcasing the work of top-notch designers, tutorials, and more. Adobe Developer Connection: is your source for technical articles, code samples, and how-to videos that cover Adobe Audition, as well as the Audition SDK. Resources for educators: offers a treasure trove of information for instructors who teach classes on Adobe software.

Find solutions for education at all levels, including free curricula that use an integrated approach to teaching Adobe software and can be used to prepare for the Adobe Certified Associate exams. Free audio content: Your purchase of Audition CS6 includes free libraries containing thousands of royalty-free loops, sound effects, music beds, and more. Also check out this useful site: Inside Sound blogs.

The Twitter feed is also accessible from Audition s Help menu. Checking for updates Adobe periodically provides updates to software. You can easily obtain these updates through Adobe Updater, as long as you have an active Internet connection and are a registered user. Adobe Updater automatically checks for updates available for your Adobe software. The Adobe Certified Expert program is a way for expert users to upgrade their credentials.

You can use Adobe certification as a catalyst for getting a raise, finding a job, or promoting your expertise. If you are an ACE-level instructor, the Adobe Certified Instructor program takes your skills to the next level and gives you access to a wide range of Adobe resources.

Adobe Authorized Training Centers offer instructor-led courses and training on Adobe products, employing only Adobe Certified Instructors. Copy the Lesson04 folder that contains the audio examples into the Lessons folder that you created on your hard drive for these projects.

Draw from the extensive collection of effects included in Audition, or use third-party plug-in processors. They are the audio equivalent of video effects, like contrast, sharpen, color balance, light rays, pixelate, and so on.

In fact, sometimes audio engineers even use similar terms, like brightness, to describe increased treble. Adobe Audition includes a wide range of effects. Most can work with the Waveform and Multitrack Editors, but some are available only in the Waveform Editor. There are three main ways of working with effects, which are available in the Waveform and Multitrack Editors. The Effects Rack allows you to create a chain of up to 16 effects, which you can enable or disable independently.

You can add, delete, replace, or reorder effects. The Effects Rack is the most flexible way of working with effects. The Effects menu allows you to select an individual effect from the Effects menu bar and apply it to whatever audio is selected. When you need to apply only one specific effect, using this menu is quicker than using the Effects Rack.

Some effects are available in the Effects menu that are not available in the Effects Rack. The Favorites menu is the quickest but least flexible way to work with effects. If you come up with a particularly useful effects setting, you can save it as a Favorite preset. The preset is then added to the list of Favorites you can access with the Favorites menu. Selecting it applies that preset instantly to whatever audio is selected; you cannot change any parameter values before applying the effect.

This lesson initially covers using the Effects Rack, which introduces the majority of effects. The second section covers the Effects menu and discusses the remaining effects that are available only via the Effects menu.

The final section describes how to work with presets, including Favorites. Click the Transport Play button to audition the loop, and then click the Transport Stop button. A toolbar is located above the inserts, and meters with a second toolbar are below the inserts. Although you can t see any graphical connection among them, the effect s inserts are in series, meaning that the audio file feeds the first effect input, the first effect output feeds the second effect input, the second effect output feeds the third effect input, and so on until the last effect output goes to your audio interface.

Inserting an effect turns its power button to on green and opens the effect s graphic user interface. You may need to move the effect s graphic user interface to load more effects. P Note: Effects do not have to go into consecutive inserts. You can leave empty inserts between effects and place effects in these inserts later.

Press the spacebar to begin playback, and then turn the Studio Reverb insert s power button on and off to hear how reverb affects the sound. Press the spacebar again to stop playback. Begin playback. You ll hear a more pronounced reverb sound.

You ll hear an echo effect, but it s not in time with the music. The echoes are now in time with the music. Later in this lesson we ll explain how to choose rhythmically correct delay times. Keep this lesson open as you continue. Removing, editing, replacing, and moving an effect Rather than present a structured exercise, try the various bulleted options that follow to see how they work.

To remove all effects in the rack, right-click Control-click anywhere on an effect s insert, and then choose Remove All Effects. To remove some effects in the rack, Ctrl-click Command-click in each effect insert containing an effect you want to remove. Then right-click Control-click anywhere in any selected effect s insert, and choose Remove Selected Effects. To edit an effect when the effects window is hidden or you closed it, either double-click the effect s insert and click the insert s right arrow to select Edit Effect from the drop-down menu, or right-click Control-click anywhere in an effect s insert and choose Edit Selected Effect.

Either of these actions brings the effects window to the front and opens it if it was closed. To move an effect to a different insert, click the effect s insert and drag to the desired destination insert. If an effect already exists in that insert, the existing effect will be pushed down to the next higher-numbered insert.

Bypassing all or some effects You can bypass individual effects, groups of effects, or all effects in the Effects Rack by doing the following: The power button in the lower-left corner of the Effects Rack s panel bypasses all rack effects that are on. When powered back on, only effects that had been on prior to bypassing return to being on. Bypassed effects remain bypassed regardless of the all effects power button setting.

To bypass some effects, Ctrl-click Command-click on each effect s insert you want to bypass, right-click Control-click on any of these inserts, and then choose Toggle Power State of Selected Effects. Gain-staging effects Sometimes inserting multiple effects in series causes certain frequencies to add up and produce levels that may exceed the available headroom. For example, a filter that emphasizes the midrange could create distortion by increasing levels above acceptable limits.

To set levels, in the lower part of the Effects panel use the Input and Output level controls with associated meters. These controls can reduce or increase levels as needed. Do not start playback yet. Close the Parametric EQ window. The excessive levels will trigger the output meter s red overload indicators to the meter s right.

However, the massive EQ boost is overloading the output. Turn up the monitoring level enough so you can hear the distortion this causes. E Tip: You can click anywhere in the Output meter to reset the red distortion indicators.

E Tip: Using the Mix slider to blend in more dry sound provides an easy way to make an effect more subtle. Reduce the Input level until the peaks no longer trigger the red distortion indicators. This will likely require reducing the Input to dB or so. Keep this project open for the next lesson.

Sometimes you want a blend of the wet and dry sounds rather than all of one or the other. Applying effects Inserting an effect doesn t change the file but instead plays the original file back through the effect. This is called a nondestructive process using a real-time effect, because the original file remains unaltered.

However, you may want to apply the effect to the entire file, or only a selection, so that saving the file saves the processed version. For this lesson, choose Entire File. This not only applies the effect to the file to process it, but deletes the effect from the Effects Rack so the file isn t double processed from the effect being embedded in the file and from a processor remaining in the rack.

Let s move on to lessons that show how individual effects change the sound. Amplitude and Compression effects Amplitude and Compression effects change levels or alter dynamics. You ll load each effect individually to hear how each one changes the sound. Amplify Amplify can make a file louder or softer. When increasing amplitude to make a file louder, choose a low enough amount of amplification so that the file remains undistorted. P Note: You can insert additional effects into the Effects Rack to change the sound further, and then apply those effects.

The file will then reflect the changes caused by all the effects you ve applied. Also note that any changes are still not permanent until you save using either Save or Save As the file.

At that point, the effects will be embedded permanently in the file. With Link Sliders selected, adjusting gain for one channel changes gain equally in the other channel. Deselecting Link Sliders allows for adjusting each channel individually. They do not go into the red so it is safe to increase the gain by this amount. The Output meter goes into the red, which shows that the gain is too high and is overloading the output.

Also, try decreasing the level and listen to the results. Keep Audition open. Channel Mixer The Channel Mixer alters the amount of left and right channel signal present in the left and right channels. Consider two possible applications: converting stereo to mono and reversing the left and right channels.

It s currently set so that the left channel consists entirely of signal from the left channel. You ll convert this stereo signal into a monaural signal by having equal amounts of left and right channel signals in the left and right channels.

When bypassed, the stereo image is wider. Now the signal is monaural. Bypass and enable the Channel Mixer to verify. Click the L tab and set the L slider to 0 and the R slider to Now the left channel consists entirely of signal from the right channel. Set the L slider to and the R slider to 0. Now the right channel consists entirely of signal from the left channel. When bypassed, the hi-hat is in the left channel. When enabled, it s in the right channel.

DeEsser Audition s DeEsser reduces vocal sibilants ess sounds. De-essing is a three-step process: Identify the frequencies where sibilants exist, define that range, and then set a threshold, which if exceeded by a sibilant, automatically reduces the gain within the specified range. This makes the sibilant less prominent.

Sibilants are high frequencies. Look carefully at the spectrum and confirm that you see peaks in the range around Hz.

When set to maximum Hz , you can still hear quite a bit of sibilance because this is higher than the sibilants frequency.

Similarly, when set to minimum Hz , the sibilants are above this range and are still audible. You ll find a sweet spot between and Hz that reduces sibilants. Now you ll hear only the sibilants. Adjust the Center Frequency to hear the greatest amount of sibilants and the least amount of the voice, which will be around Hz. The Gain Reduction meter shows the sibilant range s attenuation. Dynamics processing With a standard amplifier, the relationship between the input and output is linear.

In other words, if there s a gain of 1, the output signal will be the same as the input signal. If there s a gain of 2, the output signal will have twice the level of the input signal, whatever the input signal level may be. A Dynamics Processor changes the relationship of the output to the input.

This change is called compression when a large input signal increase produces only a small output signal increase and expansion when a small input signal increase produces a large output signal increase. Both can be present at the same time by expanding signals within one range of levels and compressing signals in a different 68 Lesson 4 Signal Processing. The Dynamics Processor s graph shows the input signal on the horizontal axis and the output on the vertical axis.

Expansion is less common; one application is to expand objectionable low-level signals like hiss to reduce their levels further.

There are also many uses for both as special effects. In the following graph, as the input signal changes from dB to dB, the output changes from dB to only dB.

As a result, the Dynamics Processor has compressed 60dB of input dynamic range into 5dB of change at the output. But from dB to 0dB, the output changes from dB to 0dB. Therefore, the Dynamics Processor has expanded 40dB of input dynamic range into 95dB of output dynamic range.

Adobe Captivate 8. Adobe Spark Getting Started. Adobe Dreamweaver Essentials. Size : 2 MB Downloads : Adobe photoshop tutorial. Description : Download free adobe photoshop tutorial course material and training in PDF file 37 pages Size : Adobe Captivate 9 - Accessibility.

Adobe Illustrator CC. Adobe Dreamweaver CS5. Adobe Captivate 9 - Quizzes. Trim To Time Selection. Using the Trim To Time Selection command, you can instantly trim clipsprecisely to match a region selected with the Time Selection tool.

Trim clips individually, or trim anyclips in a group that fall within the time selection. This can save a lot of time when spotting or whenadapting a soundtrack or dialogue to conform to new edits in a scene. FPOTrim To Time Selection works inMultitrack Edit mode over any clips—and clip groups—that are selectedwithin the selection area in yourmultitrack mix. Far left: Beforetrimming. Near left: After trimming.

Edit preview with Skip Selection. Get an idea of how cuts sound before you commit to them usingthe Skip Selection feature. In theWaveform Editor or the Multitrack Editor, just click on the Skip Selection button next to thetransport controls. Envelope Keyframe editing. Control track effects and settings with extraordinary precision withEnvelope Keyframe editing. Each track in the Multitrack Editor has an automation lane, in which youcan display envelopes for Volume, Pan, Muting, and EQ settings.

Anyenabled track effects also have envelopes for all automatable parameters. To edit envelopes, justclick at the point at which you want to make a change, and drag the keyframe; the value of theparticular parameter appears in a convenient contextual display as you drag. Direct clip editing in Properties panel. The Propertiespanel is enhanced in Adobe Audition CS6 to allow youto enter start and end times for individual clips, whichlets you achieve precise timing adjustments.

Alsoavailable in the Properties panel are stretch and pitchparameters for each clip, including a Varispeed setting. Multiple clipboards. Real-time clip stretchingNow you can drag clips to match the length you need instantly.

With Stretch mode enabled, youcan stretch or compress clips in real time during playback, and immediately hear the results. Justclick the Stretch triangle in the upper right corner of a clip, and drag. Three modes of stretch areavailable: Monophonic is for single-note melodies on isolated instruments or spoken word,polyphonic is for material with multiple instruments or sound sources in it, and Varispeed allowsyou to adjust the pitch as you stretch or compress, just like speeding up or slowing down a tapeplayer.

Real-time clip stretching can speedup projects tremendously. Audio playback continues as youstretch, and the percentage ofincrease or decrease displays in thelower left corner of the clip.

Automatic speech alignmentDesigned to align overdub dialogue quickly with existingproduction audio, the new automatic speech alignmentfeature does much more than merely align initial transients. When used on overdubbed dialogue, Adobe Auditionanalyzes the frequency spectrum involved as well as thewaveforms, so each word of a dialogue clip is matched to itscounterpart in the production audio—even if the productionaudio is noisy.

Control surface and app support with parameter automationYou can mix audio interactively in AdobeAudition CS6 using a wide range of hardwareand software controllers.

Craft your mixusing many of the most popular hardwarecontrol surfaces in the industry, including theAvid Artist series formerly Euphonix , andthe Mackie MCU series. Adobe Audition CS6 also supports the fullrange of standard automation recordingmodes write, latch, and touch. Adjust levels,panning, and track effect parameters withgreater precision than ever before withimproved keyframe editing.

Editing and mixing your project just got a whole lot easier. Adobe Audition CS6 has a full range of parameter automationmodes to facilitate working with hardware control surfaces. Inthe Multitrack Edit view, for example, you can see multipleparameters with keyframe edits in the automation lane.

Powerful pitch controlsGet precise control of pitch with the new automatic and manual pitch control features, ormanipulate audio in new ways for innovative sound design possibilities. Automatic PitchCorrection is a real-time effect in both Waveform and Multitrack views, and as a track effect, itsparameters are automatable and controllable from external control surfaces.

Make audioconform to major, minor, or chromatic scale types, with selectable tonic pitch. Base pitch can betuned up or down in Hz from A Hz, which gives you tremendous control for matching clipsthat were recorded at different pitches. Manual Pitch Correction is available in Waveform Edit mode. The Spectral Pitch Display enhances the appearanceof the fundamental frequencies of a waveform, and Manual Pitch Correction overlays brightlycolored lines on top of analyzed fundamentals.

When you select any portion of the clip, theheads-up display appears with controls for volume and pitch. It works on wholeclips, portions of clips, or even individual notes, opening the door to tremendous creativepossibilities as well as routine pitch-fixing work.

Pitch correction on individual notes is made easier in the new Spectral Pitch Display. You can see the original pitchlevel in purple. On the right of the Pitch Display, the vertical ruler displays pitch names; you can change the verticalresolution, toggle the display between linear or logarithmic, or change the display units to Hertz. Improved asset managementSave time on every project with new features that help you work more efficiently by making iteasier to find the files you need.

Media Browser. View files on your local and networked drives with the Media Browser panel. View specs and metadata, filter what media is displayed, and quickly access your subfolders. Drag files from the Media Browser directly into the Files panel or into a multitrack session. Preview audio tracks on video clips as well as audio files, and loop playback so you can catchthe details.

Files panel. The new Quick Search field lets you find files fast just by typing in a portion of thefilename. Preview audio files before you edit them or insert them into your multitrack sessions. Loop playback for extended previewing. Markers panel.